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Friday, June 04 2010 @ 10:47 AM EDT

You can now make big budget, Hollywood-style special effects at used car prices. If this is not the beginning of a revolution then I don't know what is. In Adobe's latest release of the Creative Suite product line (known as CS5) they've brought back the Ultra green screen product (which went missing in CS4) and given it so much bang for the buck that I think it could topple a small third-world nation. To begin with, the green screen product is no longer a stand-alone application, the functionality is now built right into Adobe's Premiere Pro editing package. This gives you, the filmmaker, a crazy amount of control over how your composites integrate into your scenes. For example, you can add any other Premiere effect on top of a composite and see the results instantaneously. In the sample composite I created for this article ("The Big Spider"), I added motion to my keyed layer so that it would match the motion of the layer underneath. I was also able to shrink and grow the dimensions of my keyed layer over the length of the piece (in attempt to hide some lights at the edge of my green screen). I was able to play with each of these effects one at a time, independent of the Ultra key effect, which allowed my project to act like a big special effects sandwich. I could easily open it up, throw in a different flavor and see what the results were. This is a monumental change from Adobe's previous approach which baked the green screen effect into the footage at the outset.

Sunday, July 04 2010 @ 12:38 PM EDT

If you happen to work in the Netflix executive suite the question that's weighing on your mind this week is,"How much TV is Hulu giving away to subscribers for $9.95?" The Hulu subscription service is the latest threat to the Netflix business model (along with iTunes' $3.99 movie rentals, Amazon's Instant Watch service and the Windows Media Center service). To get an idea of how much trouble Netflix is really in, I forked over $9.95 to Hulu, hoping to get a look at the team they're putting on the field. After watching a full season of I'm convinced that Hulu's going to score points on Netflix and possibly hobble their quarterback.

Thursday, August 12 2010 @ 03:01 AM EDT

Please take a moment to watch GreenScreenCinema's latest release: "Gingerlicious". While "Gingerlicious" is the story of two gingerbread cookies in search of a new home, it's also a demonstration of the three most powerful matte effects found in Adobe After Effects CS5: color key, color range and rotobrush. Color key - After Effect's color key is a pretty straightforward greenscreen tool. When the user chooses a key color that color is then removed from the scene. Hopefully this only removes your background from the scene (leaving your subject intact). Color range - The color range effect attempts to give the user a few more knobs to twist. Color range allows the user to pick multiple colors that need to be removed from the scene. Color range is often used when shadows and background color variation make a single color key ineffective. Color range is essentially the poor cousin of Premiere's Pro Ultra key effect (which I am madly in love with). Why Adobe didn't ship After Effects with the Ultra effect is beyond me. Rotobrush - With the introduction of rotobrush Adobe has found a way for filmmakers to lift an image out of the image plane as if by magic. Hours and hours of tedious, time consuming magic, that is. With rotobrush you have to brush an outline over the area you want to keep. The effect tries to follow the object you've outlined as it moves across the frame, but the effect appears to be under the influence of some mind altering substance. It will randomly decide that your subject's arm should no longer be connected to his body, for example. You can almost hear the effect's drug-induced giggle as it makes these crazy decisions. You can correct these mistakes, but after you've repaired the damage you'll have to listen to the effect call you a "big downer" and threaten to never drive you to Burning Man ever again.

Monday, December 13 2010 @ 11:27 PM EST

Monday, February 04 2013 @ 08:10 PM EST

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Filmmaking for the 21st century

Green Screen Cinema - Filmmaking for the 21st century